THE EYE OF INDUSTRIAL LOVE

explores the moment where fluid motion becomes structurally arrested - when a form is shaped not by flow but by pressure. This body of work examines how geological, industrial, and psychological forces impose rigidity on systems that are inherently organic.

Developed through transdisciplinary research, including fieldwork in the Atacama Desert and Bolivian Amazon, the series draws from environments where vast stillness conceals accumulated tension. These landscapes, shaped by erosion, extraction, and environmental interruption, provide the framework for understanding how force embeds itself into material.

The work traces two intertwined lines of inquiry: the impact of industrial intervention on natural structures, and the ways in which external pressures condition movement - whether in land or in self. Each piece functions as an interrupted body: a presence held between expansion and constraint, form and fracture.

The sculptures operate as residues of withheld motion, articulating the point where a gesture becomes halted by the pressures acting upon it. Across the series, clay behaves not as a vessel but as an architectural material - a record of compression, rupture, and structural negotiation.